Hamptons Cottages
and Gardens (April/May 2003)
“Charting a
Course”
Between ocean and
bay in Bridgehampton, decorators Kenneth
Alpert and Andrew Petronio create a
boldly beachy getaway.
“I have
to tell you the truth,” says designer
Kenneth Alpert in a confidential tone,
“I did get a little obsessed with this
seashell thing.” The ‘seashell’ thing is
what this Bridgehampton house, nestled
between bay and ocean, is all about. It
is also what inspired Alpert and Andrew
Petronio, a principal at Kenneth Alpert
and Associates, as they went all out to
create what may well be the most boldly
beachy house in the Hamptons.
As with
many of Alpert and Petronio’s projects
(one of Alpert’s early commissions was a
color-filled house for Mary Tyler
Moore), this is no retiring seaside
shack. Strong silhouettes, bright hues
and vibrant patterns are hallmarks of
the firm. For these clients, Howard and
Lannie Lipson, Alpert Petronio had
decorated a main residence- a
traditional affair in Westchester with a
formal French living room and a
dark-red, English-style dining room. The
homeowners’ mandate for the Hamptons was
simple enough: give us a beach house!
“This
place is all about the Hamptons,”
Petronio explains. “It’s whimsical and
child-friendly. Peter Cook did the
architecture and some of it helped
dictate a kind of whimsy, like the
existing rope railing along a staircase
and the porthole windows which open to
interior rooms.”
Adds
Alpert, “The clients showed us some
pictures from magazines and together we
developed a theme around seashells. We
incorporated that in so many
applications- in moldings, on mirrors,
in fabrics, in mosaic tiles, almost
throughout the whole house. Then
basically we took it from there. We had
worked with them already for so many
years, and they gave us carte blanche.”
There
was one caveat: This was November and
the Lipsons wanted their house finished
by Memorial Day. “She said, ‘Come
Memorial Day, I want it done.’” Petronio
recalls. “And when she moved in it was
done- down to the candies in the candy
bowl, the towels, the soap dishes, the
shell candlesticks on the coffee table.”
On top
of all that, she decided to host her
first dinner party of the season on
Memorial Day. “We had just finished
getting the napkins for the event,”
Petronio adds. “We even bought the
floral centerpieces, and of course
incorporated shells into the
arrangements.”
A lot
went on in those months in between, with
Alpert and Petronio always having sea
and sand on their minds. “I was on
vacation in France and I saw this
blue-and-white seashell fabric that I
had to buy,” Alpert continues. “We ended
up using it on the sun porch. Back home
I’d be leafing through a catalog and I’d
see some kitchen canisters with
seashells on top and I’d have to order
them. I got a little nuts.”
Everywhere they went, Alpert and
Petronio remained on the lookout for
items that would fulfill the vision,
including many pieces bought in Eastern
Long Island. “Every time we’d go out to
the house to accept a delivery, we’d go
visit the local stores and gather up
accessories,” Alpert recalls. Petronio
adds, “Anytime we saw anything beachy,
we’d get a sample and stick it in our
briefcase. Nothing was safe if it had a
shell on it!”
The
result does indeed have every nook and
cranny holding a beach-themed surprise.
Here, the andirons are shaped like
anchors; there, a picture frame is cut
out of a scallop shell. The media room
has a sprightly red-white-and-blue
lighthouse theme, from the wallpaper to
the lamp bases. Cook had designed the
house with a deck above the bedrooms, an
open living room/dining room/kitchen
configuration, spaces full of sunlight
and even a poolside sun porch. Alpert
and Petronio complemented that with such
appropriately airy furniture as open
rattan seating in the sun porch and the
chairs of woven sisal in the living
room. All serve to keep the look light
and buoyant.
Sea
colors- aqua, sea foam green, turquoise-
abound. The only room that feels a bit
different is the master bedroom, with a
dark mahogany bed and upholstered
chairs. “It’s most reminiscent of their
main residence,” Alpert notes. “It’s
more traditional and formal.”
Nevertheless, thanks to sharp
blue-and-white fabrics, plenty of light
and views of the water, it feels
positively aquatic.
“Sometimes when you do a first home for
someone and they are coming from another
home, they have lots of things with
them,” Alpert notes. “The Lipsons never
had a summer place before, so they came
with absolutely nothing. We got maybe
2,000 decorative pieces and accessories,
plus the furniture. Whatever it took to
fill a house we had to get, and then
make it into a home.”
By Marina Isola
Campbell. Photographs by Barbel Miebach